Bone Hooks

Join Murmurations Dance in an immersive dance piece that enacts an underwater decomposition and lays bare the bones. We invite the audience into our process of un-becoming through three-dimensional movement with aerial fabrics, partnering, and embodied sound. Live sound score by Melinda Kinzie, interactive art sculpture by Nicole Coella.

Artistic Director: Nicole Dagesse
Choreography: Nicole Dagesse and Dancers
Dance Artists: Laila Copperansky, Jen Eringis, Mireya Guerra, Toby MacNutt, Jessie Owens, and Hanna Satterlee

Inspiration for piece from the story of Skeleton Woman as well as other myths of self-sacrifice and watery rebirth.

The performance is approximately 1 hour and takes place in the beautiful Core Studio at 208 Flynn Ave, Burlington, VT on March 16th, 2019. Shows at 4pm and 7pm. Sliding scale of $5-$15/ticket, thank you for supporting our artistic process! Not recommended for young children due to intensity of subject matter and proximity of the dancers to the audience. Please reach out to ndagesse@gmail.com with any questions.

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Nicole Dagesse is a Vermont native whose rural upbringing in the forests and fields is a direct inspiration for her movement style and choreographic desires. Combining her training in Modern Dance, Contact Improvisation, and Aerial Dance, Nicole approaches each new site with inquisitive play and rigorous movement research. Nicole earned her BFA in Dance and BS in Environmental Science from the University of Massachusetts, Amherst where she was immersed in the creativity of the local dance scene. Nicole cites Wire Monkey Dance as a major influence in her work. It was while playing on the scaffolding that her 3-dimensional movement patterns began to develop, and her love of partnering work took flight. After several years dancing in the Boston area, Nicole felt it was time to continue her dance education as an artist and teacher, and moved to Boulder, Co. to pursue an MFA in Site Dance and Somatic Practices. The rugged terrain and the endless blue skies provided the perfect opportunity to hone her voice as a site artist. The grounding and balancing study of the Alexander Technique was a necessary complement to her physically demanding work, and Nicole was increasingly interested in the parallels between body and earth. After earning her Masters of Fine Arts, Nicole taught and choreographed in North Carolina, where Murmurations Dance was born. Now back in Vermont, Nicole lives with her husband, adventurous three year old, and beautiful newborn where she uses her improvisational skills to experiment with motherhood, artistry, work, pleasure, and play. Nicole is also a Yoga Teacher specializing in Vinyasa Flow and Pre/Postnatal Yoga.

Participating artists

Choreographer and dancer Hanna Satterlee grew up in East Montpelier, Vermont and has spent many years traveling through dance, both nationally and internationally. Hanna holds a Masters in Fine Arts/Interdisciplinary Arts from Goddard College (VT/WA) and has produced her own choreographic and dance installation work, and has performed with professional companies in Vienna Austria, Stolzenhagen Germany, Baltimore, Manhattan, Brooklyn, San Francisco and throughout the state of Vermont. Now based in Burlington Vermont, Hanna is the current director of the Vermont Dance Alliance, with a strong belief that the culture of dance will continue to flourish and expand throughout the edges of our beautiful state. In addition, Hanna teaches and performs on freelance basis. Join her for GARDEN DANCES this July and August at the Horsford Nursery in Charlotte VT! More info under the events tab on this website.

Jessie Owens is the founder of Ergo Movement, a collaborative performance project based in Burlington, Vermont. She holds a BA in Dance from Smith College, where she attended as an Ada Comstock, or non-traditional scholar. She is the current Vice President of the Vermont Dance Alliance, where she is working to support dance in all of its forms.

Laila grew up dancing in Central Vermont, discovering her commitment to movement at an early age. Her childhood was rich in diverse examples of artists, teachers, and learners who taught her that creative work can have endless forms. Having always felt pulled in multiple directions, Laila studied dance and movement integration in early education at Hampshire College in Amherst, MA, in efforts to align her passions for dance and working with young children. At Hampshire College Laila performed works by Katie Martin and Deborah Goffe, and studied with Angie Hauser, Stephen Petronio, Constance Vallis-Hill, and Cynthia McLaughlin, among others. She now works as a preschool teacher at a therapeutic early education center, working to integrate creative movement into her classroom. Laila is thrilled for the myriad of possibilities that the Vermont Dance Alliance brings forth, and is very grateful to connect with other artists.

Mireya finds a great source of gratification in the ever-evolving process of investigation in contemporary dance. That’s why it is still her favorite modality of self-discovery and expression. She has experienced dance in various dance communities in Ecuador and the US, where she has collaborated in many projects with talented artists and friends as a performer and choreographer. Mireya was born and raised in Quito, Ecuador.

I'm interested in: what defines a body? How do our bodies relate us - to each other, the world? My training and experience includes a wide breadth of contemporary, improvisational, and adaptive styles, with a childhood foundation in ballet, jazz, and modern dance. I have studied with integrated companies such as AXIS Dance, Stopgap, Candoco, as well as individual teachers, choreographers, and experienced performance mentors. My performance history ranges from yoga studios in small Vermont towns to Danspace St Mark's in New York City to festivals in the UK and Germany. I am available to teach - dance topics, adaptive strategies, and more; to perform; or to engage in the creation of new work.

When

March 16, 2019
4:00–7:00 PM

Cost

Sliding Scale, $5-$15

Contact


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Published March 11, 2019