Baroque Dance Workshop: Baroque Dance Technique and Repertory

An introduction to ballroom and theatrical dance of late-17th-century and early-18th-century France (“Baroque dance”). Participants will learn some basic steps and step-sequences used in bourrées, menuets, gavottes, and other dances, and will explore how these steps relate to music of the period. They will then use these steps as they learn a Baroque ballroom dance, reconstructed from period notation.

No prior early dance experience is required. This workshop is targeted to dancers and musicians who would like to be initiated to the baroque dance style and technique. Wear comfortable clothing and flexible shoes.

About the instructor:
Ken Pierce trained in ballet and modern dance, studying on scholarship at both the American Ballet Theatre School and the Merce Cunningham studio. He has specialized in early dance—especially, late-Renaissance and Baroque dance—for the past three decades, as choreographer, reconstructor, performer, and teacher. Companies he has performed with include the Court Dance Company of New York, the New York Baroque Dance Company, Ris et Danceries (Paris), Danse Baroque Toronto, and the baroque dance trio Hémiole (Paris), of which he was a co-founder. He directs his own company, the Ken Pierce Baroque Dance Company, for which he has choreographed or reconstructed dances for performances with Tafelmusik, Portland Baroque Orchestra, Concerto Copenhagen, The King’s Noyse, Handel & Haydn Society, and the Boston Early Music Festival. Choreographic credits include dances for Les Élémens, Les Festes d’Hébé, Tirsi e Clori, and les Festes de l’Amour et de Bacchus; King Arthur at the Boston Early Music Festival, and such twentieth-century premières as Le Carnavale Mascarade; Les Plaisirs de Versailles, with Ex Machina Baroque Opera Ensemble; the masque Oberon, at Case Western Reserve University; and le Mariage de la Grosse Cathos at the Amherst Early Music Festival. He was assistant choreographer for Quelques pas graves de Baptiste, Francine Lancelot’s baroque-style piece for the Paris Opera Ballet, whose cast included Rudolph Nureyev. Mr. Pierce has taught at summer dance and music workshops in the U.S. and abroad. He directs the early dance program at the Longy School of Music of Bard College (Cambridge), and teaches classes and workshops at the Integrarte studio in Boston.

Posted by

Born and raised in France, Elizabeth studied ballet, Russian character and modern dance in Paris. In the 80’s, she moved to New York City and study with Merce Cunningham, Viola Farber, Maggy Black. After 15 years hiatus to raise a family and work as a physical therapist, she returned to her former passion. Since, she danced with the Dartmouth Dance Ensemble in Hanover, NH and What’s Written Within in Edgartown, MA. She choreographed most of her work with the latter with productions for Built on Stilts, the Yard and the Hebrew Center in Martha’s Vineyard, and for the 2019 Vermont Dance Alliance Winter Gala . She is a passionate of baroque dance and performed with Ken Pierce Baroque group in Boston MA. My choreographies are the result of a close collaboration with the dancers. With them, and depending on their skills and abilities, I shape an initial concept into a finished product by using simple step phrases and modifying their patterns, directions, timing and speed, resulting in a multilayered composition. My motto? "Everyone can dance"

When

May 4, 2019
12:00–4:00 PM

Cost

$40 early registration (before April 15); $45.00 at the door

Contact


This event has already occurred.

Published March 5, 2019